Get all 7 Jeremy Beck releases available on Bandcamp and save 35%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of pause and feel and hark, Wave, String Quartets, Never Final, Never Gone, IonSound Project, By Moonlight, and remember.
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Four Preludes: Pensive
01:16
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Four Preludes: Burlesque
01:25
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Four Preludes: Calm
03:47
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Invitation to Love
03:28
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Come when the nights are bright with stars
Or (come) when the moon is mellow;
Come when the sun his golden bars
Drops on the hay-field yellow.
Come in the twilight soft and gray,
Come in the night or come in the day,
Come, O love, whene’er you may,
And you are welcome, welcome.
You are sweet, O Love, dear Love,
You are soft as the nesting dove.
Come to my heart and bring it rest
As the bird flies home to its welcome nest.
Come when my heart is full of grief
Or (come) when my heart is merry;
Come with the falling of the leaf
Or with the redd’ning cherry.
Come when the year’s first blossom blows,
Come when the summer gleams and glows,
Come with the winter’s drifting snows,
And you are welcome, welcome.
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Variations
07:50
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Four Songs: Actaeon
01:40
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Four Songs: Submarine
02:08
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November Dances
07:33
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Remember
02:50
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Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
Remember me when no more day by day
You tell me of our future that you plann’d:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.
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Elegy
04:23
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Jeremy Beck Louisville, Kentucky
Jeremy Beck “knows the importance of embracing the past while also going his own way. … [In] Beck’s forceful and expressive sound world … the writing is concise in structure and generous in tonal language, savouring both the dramatic and the poetic.” (Gramophone Magazine). ... more
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